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However, during the war, the drawings transformed into women playing dress-up in military drag and drawn in seductive manners, like that of a child playing with a doll. Prior to World War II they were praised for their beauty and less focus was on their sexuality. The 1932 Esquire 'men's' magazine featured many drawings and 'girlie' cartoons but was most famous for its Vargas girls. 'Because the New Woman was symbolic of her new ideas about her sex, it was inevitable that she would also come to symbolize new ideas about sexuality.' Unlike the photographed actresses and dancers generations earlier, fantasy gave artists the freedom to draw women in many different ways. An early example of the latter type was the Gibson Girl, a representation of the New Woman drawn by Charles Dana Gibson. Other pin-ups were artwork depicting idealized versions of what some thought a particularly beautiful or attractive woman should look like. Harry Wann paints a 'pin-up' girl on a PT boat, Australia, 1944

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Miss Fernande displayed ample cleavage and full frontal nudity, and her pictures were cherished by soldiers on both sides of the First World War conflict. In Europe, prior to the First World War, the likes of 'Miss Fernande' (who some identify as Fernande Barrey ), were arguably the world's first pin-ups in the modern sense. Among the celebrities who were considered sex symbols, one of the most popular early pin-up girls was Betty Grable, whose poster was ubiquitous in the lockers of G.I.s during World War II. Being sexually fantasized, famous actresses in early-20th-century film were both drawn and photographed and put on posters to be sold for personal entertainment.

These promotion and business cards could often be found backstage in almost every theater's green room, pinned-up or stuck into 'frames of the looking-glasses, in the joints of the gas-burners, and sometimes lying on-top of the sacred cast-case itself.' 'To understand both the complicated identity and the subversive nature of the 19th-century actress, one must also understand that the era's views on women's potential were inextricably tied to their sexuality, which in turn was tied to their level of visibility in the public sphere: regardless of race, class or background, it was generally assumed that the more public the woman, the more 'public,' or available, her sexualityвЂќ, according to historian Maria Elena Buszek. Pin-up girl nose art on the restored World War II B-25J aircraft Take-off TimeД«eginning in the early 19th century, pin-up modeling had 'theatrical origins' burlesque performers and actresses sometimes used photographic advertisement as business cards to advertise shows. In particular, pictures of popular male celebrities were targeted at women or girls examples include James Dean and Jim Morrison. Male pin-ups (known as beefcake) were less common than their female counterparts throughout the 20th century, but they have always been around. Posters of these types of images were mass-produced and became popular starting from the mid-20th century. Such pictures often appear on walls, desks, or calendars. Pin-up images could be cut out of magazines or newspapers, or they could be on a postcard or lithograph. The term was first attested to in English in 1941 even though the practice is documented at least back to the 1890s. The term pin-up may refer to drawings, paintings, and other illustrations as well as photographs (see the list of pin-up artists). Cheesecake was an American slang word that became a publicly acceptable term for scantily-clad, semi-nude, or nude photos of women because pin-up was considered taboo in the early 20th century. These pictures are also sometimes known as cheesecake photos. meant to be ' pinned-up' on a wall, which is the basis for the etymology of the phrase. Pin-up models were variously glamour models, fashion models, or actresses whose pictures were intended for informal display, i.e. Betty Grable's famous pin-up photo from 1943ДЄ pin-up model (known as a pin-up girl for a female and less commonly male pin-up for a male) is a model whose mass-produced pictures see widespread appeal as part of popular culture.